A Sitelen Pona derivative for Kokanu (Official website, Sona Pona Wiki) “the minimal IAL”.
Ikama Tasuwi is a logographic writing system for Kokanu based on Sitelen Pona. The same conventions for symbolism are followed, with some new radicals and derivations added to represent the larger vocabulary of Kokanu.
It harkens back to the green days when Kokanu was Toki Ma, a more direct Tokiponido. At the same time, the radical changes made in Ikama Tasuwi serve as a reminder of how far Kokanu has evolved.
Ikama Tasuwi is not in its final form. Some glyphs are still being decided on. Please discuss this project in the #te-tasuwi-in-lika
channel of the official Kokanu Discord server.
⚠ Warning!Note that Kokanu’s grammar has diverged radically from Toki Pona’s, so that Kokanu written in Ikama Tasuwi and Toki Pona written in Sitelen Pona are not mutually intelligible!
Ikama Tasuwi is a bit like Chữ Nôm. It was created based on Chinese characters for Classical Chinese, but extended to fit Vietnamese vocabulary and grammar. Vietnamese written in Chữ Nôm and Classical Chinese written in Chinese characters are also not mutually intelligible.
Here’s the sentence “I want you to stay well.” in both languages:
Toki Pona in Sitelen Pona “mi wile e ni: sina awen pona.”
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Kokanu in Ikama Tasuwi “mi le ju ta tu le tope conca.”
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There have been semantic shifts and narrowings from Sitelen Pona to Ikama Tasuwi. For example, Sitelen Pona’s
wile is not the same shape as
ju (want), but as
titi (chest/breasts)!
For consistency, all words meaning the five senses have two curved lines to the right, representing detecting stimuli with the body part depicted. Some other words also contain sense lines.
For consistency, SP suwi has been changed. All six taste words are expressed with a combination of a specific thing representing that flavor + a mouth above, modeled after makan ≡ SP moku.
(Is it just me who finds the coincidence nice that the Japanese-based word umami is derived from another Japanese-based word niku?)
For consistency, color words have not been inherited from Sitelen Pona loje, jelo, laso, walo, and pimeja. However, their common triangle shape has been kept and reinterpreted.
The triangle is now a hue picker: the bottom left vertex represents red, the top vertex represents yellow, and the bottom right vertex represents blue. The circle can be right outside one vertex, between the vertices tangent to the midpoint of an edge, or in the center if a color is achromatic.
If the hue is not enouh to specify a color, a brightness slider is added to the bottom.
The underlying logic is similar to ColorADD, which also combines 6 hues from red, yellow, and blue, and modifies them for brightness. As an exception, “brown” is not derived from red + yellow + blue in Ikama Tasuwi. Ikama Tasuwi’s “brown” would be ColorADD’s “dark orange”.
Sitelen Pona’s minimalist animal drawings have been kept. They have also been joined by Kokanu’s more specific animal words.
Inherited from SP:
Additional animal words:
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The number words from 0 to 9 are just the numerals 0 to 9:
The first three powers of 10 are Roman numerals:
Other number words are as follows.
Toki Pona lacks words for time except, well, “time”: tenpo. This has been directly loaned:
The past, present, and future are represented as three circles in a line representing them. These words are used as tense markers too.
Toki Pona’s sin has split into talun for animate objects and neso for inanimate objects. Meanwhile, majuna has not split, becoming cune alone. This has caused this slight asymmetry:
Other words related to time are derived from the clock glyph of ten or based on internationally recognized media symbols.
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Sitelen Pona’s leko, lili, linja, lupa, palisa, sike, and suli have been joined by Kokanu’s variety of shape words.
Inherited from SP:
Additional animal words:
Names are recommended to be written out in the Latin alphabet or Likanu, not expressed as cartouches, to avoid clashes them being misread as Sitelen Pona.
Because of the increased vocabulary size, composed glyphs and name glyphs are discouraged for general use. You may use composed glyphs or name glyphs for artistic purposes regardless!
Press “Enter/Return” to jump to that word (if it exists). To search for a word in English, use the official dictionary (opens in a new tab/window).